This project started as a spontaneous experiment a quick, intuitive visual dive into the foundational aesthetics of the Bauhaus movement.
Both posters reinterpret the spirit of 1919 through a modern graphic lens, combining strong geometry, primary colors, and bold typography.
The first poster plays with minimal form and typographic energy, echoing Bauhaus design’s structured chaos.
The second leans into a halftone texture with a photographic approach, blending the iconic architecture of the Bauhaus Dessau building with vivid pop-art influence.
These are the early stages of a broader exploration into design history, color theory, and form communication seen through my own graphic filter.